FMP: Radiolab on Colour

Listened to this Radiolab podcast about colour. And it’s got me thinking that maybe theres a lot more to colour perception than we know. In the podcast, the presenters interview linguist Guy Deutscher. Deutcher talks about William Gladstone’s research into The Iliad by Homer, and how lots of colours are described unusually; honey is described as green, the sea is described as wine red, and the sky is often referred to as bronze. So was Homer colourblind? It turns out not, and his psychedelic palette was common in ancient greek writing. One thing that sticks out is the absolute absence of blue. As it turns out, the Ancient Greeks hadn’t invented the concept of blue yet. This is quite complicated to explain, but it sounds like, seen as blue is quite an uncommon colour outside of the manufactured world, the ancient greeks didn’t ever really need a word to talk about it. So what about the sky? Deutscher makes reference to a slightly anecdotal experiment he performed on his own daughter: He brought her up teaching her all the colours, blue included, but never mentioned that the sky itself was blue. Eventually, he put the question to her: what colour is the sky? And his daughter didn’t understand the question, and couldn’t answer. Eventually, after a couple months, she came to a conclusion; the sky is white.

Supposedly, most older civilisations didn’t have a word for blue either, for similar reasons. In fact, colours tend to be “discovered” in the same order in most cultures. The pattern of these colours’ discovery follows another pattern: the invention of new dyes. Blue dye is hard to make naturally so it comes a lot later. The podcast also interviews Jules Davidoff, professor of neuropsychology at London University. Davidoff worked with members of the Himba tribe, in Nambia. The Himba are similar to the Ancient Greeks in that they also don’t have a word for blue. Davidoff showed preformed a test; he presented members of the Himba tribe with a selection of squares on a laptop. All except one of the squares was green. the final square was blue. A simple question was posed: which square is different? To the Himba participants, there was no difference. Perhaps then, we only learn colours as labels for certain wavelengths of light, and train our brains to interpret them as so; that colour doesn’t intrinsically look like anything at all. This lends credence to the idea of colour being qualia: There really must be no standard for what blue is, or what red is, outside of vague ranges of wavelengths of light. One persons blue really could look nothing like someone else’s, and there would be no way to know one way or another.

What does this mean for colourblindness, then? I supposedly am biologically incapable of seeing green. This helps me understand how I, personally, have an idea of green in my own perception. Grass, for instance, looks “green” to me, and I think of things that look like grass as being green. I know things famous for being green are green. I used to think blonde people had green hair when I was little. But as I’ve grown up I no longer percieve lighter haired people as having green hair. There evidently is so much more going on with colour perception than cones in the eye. Wow.

Widening the FMP

I’ve been really struggling to nail down the Concept for my Final Major Project. Colour Blindness was my starting point, but I cant make it more focussed than that. My original idea was to make something slightly cynically aimed directly at people who might consider hiring me or not hiring me based on the condition. I think that I could achieve the goal of showing that it isn’t an issue without making that the entire focus of my piece. So, the real question is, what do I want to say about colour blindness? I feel like “its not much of an issue, really” doesn’t make for a particularly enticing final piece.

I spoke to a tutor about this, originally bringing the idea of making the project about a wider spectrum of different perceptual disorders. I brought research on Aphasia ( Inability to understand language) , Aphantasia (Inability to visualise things in ones head), and Hepispacial Neglect (Where you have a tendency to ignore all sensory input from one side of your body). I was gently pushed towards the idea of focussing entirely on colour blindness by my tutor however; as it would be a shame to skip out on something that does have the potential to be very interesting.

On the left is an image with the Sim Daltonism filter program overlaid. To me, this looks like just a clear square that doesn’t alter the photo at all. People find this program very interesting, which you can overlay onto any photos or videos on a computer screen. From my perspective, this feels quite humorous as I literally can’t tell! I similarly created the graphic on the right to try and play with making imagery that I couldn’t myself see. I basically spelled out the words in the dots before applying colour, then made it a green ( according to RGB values) that appeared grey to me, before putting the rest of the dots in greyscale and matching them up (in my vision) to blend in entirely. This turned into a good example of exactly where my vision fails me, and illustrates where some green tones appear entirely grey. I think a key to this project will be finding interesting ways to demonstrate the difference in perception between regular trichromatic vision and dichromatic (colourblind) vision.

I discussed the concept with my tutor, something I still now am struggling to nail down. Sure, I wanna talk about colour blindness, but what do I want to say about it? To the point of it helping me do my job in some way, I considered how it might help my practice. The one thing that stands out to me is that I naturally design colour- blind friendly work, without even thinking about it. This is useful from an accessibility standpoint; the focus of much UX and Web design specifically is making sure work is as widely usable as possible. Colourblindness, which accounts for 12% of the population, is often overlooked. This is something Matej Latin talks about a lot in his practice, as a colourblind UX designer. I have struggled to find more evidence of how being colour blind might help. This old bbc article makes reference to the idea that deuteranomaly colour-blind individuals may have extra colour- differentiation abilities that colour-normal people have, referencing a study. It links this to World War 2, when apparently deuteranomaly individuals were used on bomber crews, as they were better at spotting camouflaged targets. (Thermal imaging quickly took over this job after the end of world war 2). Outside of this, I struggle to find any specific advantages to colour blindness.

To confront the idea of finding an interesting way to demonstrate colour-blind vision: whilst simple colour filters are effective, I don’t believe they have a huge impact due to how commonly they are used. I want to find a more interesting way to demonstrate the difference in perception. I started thinking about the idea of painting things and photographing them. With a colour-normal mediator and the Sim Daltonism app, I could mix paints and paint in things the colour I see them. This could make for an interesting self portrait, with heavily painted up face and clothing, or perhaps a fine art style photographed still life. These would be more visually interesting representation of my own colour vision, so long as the painted on colour is obviously wrong. I suppose being able to see the original colour through gaps in the paint would show the contrast to non- colourblind people. I started to think of different possible things I could paint up. I thought around specifically graphic design orientated objects, but on reflection should probably widen my scope. Next step in researching this will be capturing imagery of possible items, and showing DaltonSim versions of them to someone who can tell me what looks the most weird.

With this in mind, I still need to consider specifically what I want to say with this. Should it just be to raise awareness? Or can I say more? I have been continuing to research the idea of Qualia as a philosophical concept. Can I tie this all into that? Need to figure this one out, and soon.

Colour blindness Research

I’ve been looking at design work pertaining to colour blindness in order to get an idea of what the field has already generated.

I was a little blown away by this project by Kevin Guan; Spectrum: A Colourblind Kit for Kids. The project itself is aimed at young kids and their parents, at the time when colourblindness is often first discovered. It includes things like a simple Ishihara test, what looks like filtered glasses, presumably to show a kid with colourblindness the numbers hidden in the test. Also included is a colour by numbers booklet, with numbered pens; a really nice simple little change allows a colour blind child’s participation. There are also some cue cards in there that seem to demonstrate common objects and their colours, labelled. It seems like this whole project seems centred around turning what could potentially be a negative experience for a colour blind child (Being told something is wrong with you, and you are somehow less than other kids) into something a little bit fun; exploratory and experimental. This is likely specifically because of how much more of an effect colourblindness can have an effect on children over adults with the condition; Lower primary school education tends to use colour as a teaching method, as well as the potential for lower self confidence about it must be much higher. Especially with curious other kids.

Similarly, Boong Chamnanratanakul’s project “Is your child color blind?” takes a similar tact, turning a colourblindness diagnostic tool into a fun game. This puzzle set seems to take cues from the Munsell Hue Test, where you are tasked with sorting colours along a spectrum as a means of determining areas of the spectrum you cant distinguish.

I also watched this video essay by Vsauce, Is your red the same as my red? which philosophises about the ‘explanatory gap’ between everyone, colourblind or not. Even with two regular trichromatic individuals, theres no meaningful way of knowing if both’s experience of the colour red is the same; you can both look at a strawberry, agree it’s red, but have a fundamentally different looking red inside their own heads. The video makes reference to “Qualia”, or ineffable, inexpressible raw feelings and experience. An example of this in reference to colour would be trying to explain blue to a blind person; you can say it’s cool, relaxed, or whatever but this wouldn’t make any sense to someone who’s never experienced colour. More widely, trying to explain the feeling of pain to some sort of alien who is biologically incapable of ever feeling pain would be impossible. The video argues that this could either be a feature of the human experience, or possibly a failure of human language. Either way, the fact is, we are fundamentally alone in our own minds in regards to our perception. I guess following this line of logic would provide a very different project to the above examples. I could widen the whole thing to concern itself with perception, and how much of it is really entirely locked inside our own heads. Perhaps I could do something about how reality; how its’ maybe not so much something we share, and our minds aren’t so much interpreters of reality as generators.

Take Away:
The way I see it, this project can go one of three ways; I can either find a need that needs designing for specifically for colourblind folk, perhaps interviews specifically, as I’ve talked about the anxiety in regards to that already. Similarly, I could direct a project towards non- colourblind people. But I could also direct a project towards those with regular colour vision, to try and inform as I have already discussed. Thirdly I could widen the project entirely to looking at perception in general, as discussed above. This would be a lot more experimental and perhaps slightly less practically orientated.

Final Major Project

Submitted my proposal and creative brief for my FMP last week. I have chosen to create a piece about colourblindness, specifically how it effects me as a graphic designer. This was spawned from this strange anxiety I realised I had about disclosing the condition to my employers last year. When are you supposed to mention it? In the interview, I could overstate how much of an effect it has on my work and lose myself the job, if it was directly after, I couldn’t help but feel like I had cheated them in some way. Like a fool, despite knowing that it doesn’t hurt my design, I just hid it for an entire year for no good reason. I don’t want to hide it in my next job. So what better way to get it out of the way in an interview session than having an entire design piece explaining the condition, expelling common myths about it, maybe communicating some funny stories from my own life and most of all, showing that its not a big deal as visual artist or graphic designer. Thats the plan.